Sam Stacey

Sam is a lighting designer and programmer with a strong foundation in both creative storytelling and technical precision. With experience designing and programming across a range of productions, he brings a collaborative and thoughtful approach to every project.

Sam uses 3D modelling and visualisation to develop practical, efficient rig designs that support both artistic intention and production realities. His process balances preparation and adaptability, ensuring that creative ideas are supported by solid technical planning.
Passionate about the intersection of design and storytelling, Sam aims to create lighting that feels intuitive, atmospheric, and emotionally resonant. He values clear communication, collaboration, and a calm presence in the rehearsal room and technical process.
Sam was also accepted onto the SLX Graduate lighting programme, which allowed industry training to support him thorugh his graduate year and into his career.

BOVTS Credits:

Lighting Designer:
– Nell Gwynn by Jessica Swale – The Tobacco Factory Theatre (2026)
– Dirty Butterfly by Debbie Tucker Green – Bristol Old Vic Weston Studio (2026)
– The Ètienne Sisters by Ćhe Walker – Bristol Old Vic Weston Studio (2026)
– A Christmas Carol Adaptaion by Patrick Barlow – The Redgrave Theatre (2025)
– The Nobodies by Amy Guyler – The Wardrobe Theatre (2024)

Lighting Programmer:
– Treasure Island; Lighting Design by Kass Goosen
– Government Inspector; Lighting Design by Eleanor Beddell-Garner
– Production Electrition:
– Mephisto; Lighting Design by Blue Jacobs

Professional Credits:
– Lighting Designer: Cinderella by Rodgers & Hammerstien Amateur Production by BMCC
– Lighting Technician: Les Misérables 2025 Amateur production Bristol hippodrome

– Lighting Technician at the Bristol Hippodrome