Solomon Goddard

Solomon is specialising in music and sound design for theatre and film during his final year at the Bristol Old Vic Theatre School. His previous works and projects showcase a keen ear for detail, emphasising the fusion of naturalist and abstract soundscapes, multi-dimensional sound placement and a mix of recorded sound effects and synthetically created noises. Solomon has created several pieces of music for shows and film, and outside of the school he has released one album, one EP and several singles of original music, which Solomon wrote, recorded and produced himself.

BOVTS Theatre Credits: Sound Designer and Operator – Fourplay (Weston Studio, Bristol Old Vic), Sound Designer and Operator – Meat (Weston Studio), Sound Designer and Operator – Days of Significance (The Station), Set Construction Assistant – Mephisto (Loco Klub) and BOVTS Summer Festival 2025 (Weston Studio), Lighting Designer and Operator – This Is Living (Weston Studio), Sound Designer – The Watsons (The Station), Assistant Stage Manager – Treasure Island (Redgrave Theatre), Composer, Sound Designer and Sound Operator – Hymns (Wardrobe Theatre)

BOVTV Film Credits: Sound Recordist – The Lay-By (dir. Elle Diamond and Noomie Yates), Focus Puller – MA Scenes (dir. Myles Horgan), Sound Recordist and Boom Operator – BA Scenes (dir. Katy Carmichael), Art Dept. Assistant – The True Accounts of the Scafell Six (dir. Carolina Petro), Camera Assistant – Palindrome (dir. Vincenzo Pellegrino)

External Theatre Credits: Production Technician and Operator – Lucia di Lammermoor & La Traviata (Opera Holland Park, London), Technical Designer and Operator – To Watch A Man Eat (Old Red Lion Theatre, London / Greenside @ George Street, Edinburgh Fringe Festival / Shakespeare North Playhouse, Prescott)